[{"data":1,"prerenderedAt":137},["ShallowReactive",2],{"program-item-en-strings-and-skins":3},{"entry":4},{"id":5,"title":6,"slug":7,"uri":8,"eventDate":9,"eventType":10,"venue":11,"duration":19,"prices":20,"teaser":21,"richtextProgram":23,"programText":15,"ticketLink":15,"eventImage":25,"musicians":39,"globalComponents":131,"metaTitle":15,"metaDescription":15,"ogImage":132,"metaTags":15,"localized":133},"1163","Strings and Skins","strings-and-skins","programm\u002Fstrings-and-skins","2027-01-31T10:00:00+00:00","Concert VII",[12],{"id":13,"title":14,"mapsLink":15,"street":16,"postalCode":17,"city":18},"1178","Druckereihalle im Ackermannshof",null,"St. Johanns-Vorstadt 19\u002F21","4056","Basel","90 Minuten","CHF 45",{"html":22},"\u003Cp>Where does composition end and improvisation begin? What do we call European musical culture – and where does the unfamiliar begin? These are questions that may arise when listening to some of the six works on this programme. The works are by Younghi Pagh-Paan, Marcel Mihalovici, Gitta Steiner, György Kurtág, Carola Bauckholt, and Lou Harrison. They are performed by \u003Cstrong>Christian Dierstein\u003C\u002Fstrong> (percussion and conductor), the \u003Cstrong>Schlagzeugensemble der Musik-Akademie\u003C\u002Fstrong>, \u003Cstrong>Ilya Gringolts\u003C\u002Fstrong> (violin), \u003Cstrong>Maksim Barbash\u003C\u002Fstrong> (cello), \u003Cstrong>Benedek Horváth\u003C\u002Fstrong> (piano), and \u003Cstrong>Akiko Okabe\u003C\u002Fstrong> (piano).\u003C\u002Fp>",{"html":24},"\u003Cp>\u003Cspan>\u003Cstrong>Younghi Pagh-Paan\u003C\u002Fstrong> (born 1945)\u003C\u002Fspan>\u003Cbr \u002F>\u003Ci>\u003Cspan>Tsi-shin-kut\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan> (Earth Spirit Ritual) for four percussionists and electronic sounds (1993–1994)\u003C\u002Fspan>\u003Cbr \u002F>\u003Cspan class=\"small\">Swiss premiere\u003C\u002Fspan>\u003C\u002Fp>\u003Cp>\u003Cspan>\u003Cstrong>Marcel Mihalovici\u003C\u002Fstrong> (1898–1985)\u003C\u002Fspan>\u003Cbr \u002F>\u003Ci>\u003Cspan>Improvisations\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan> for percussion and piano, Op. 83 (1961)\u003C\u002Fspan>\u003Cbr \u002F>\u003Cspan class=\"small\">Swiss premiere\u003C\u002Fspan>\u003C\u002Fp>\u003Cp>\u003Cspan>\u003Cstrong>Gitta Steiner\u003C\u002Fstrong> (1932–1990)\u003C\u002Fspan>\u003Cbr \u002F>\u003Cspan>Sonata for solo vibraphone (1984)\u003C\u002Fspan>\u003Cbr \u002F>\u003Cspan class=\"small\">Swiss premiere\u003C\u002Fspan>\u003C\u002Fp>\u003Cp>\u003Cspan>\u003Cstrong>György Kurtág\u003C\u002Fstrong> (born 1926)\u003C\u002Fspan>\u003Cbr \u002F>\u003Ci>\u003Cspan>Tre pezzi\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan> for violin and piano, Op. 14e (1979)\u003C\u002Fspan>\u003C\u002Fp>\u003Cp>\u003Cspan>\u003Cstrong>Carola Bauckholt\u003C\u002Fstrong> (born 1959)\u003C\u002Fspan>\u003Cbr \u002F>\u003Ci>\u003Cspan>langsamer als ich dachte\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan> (\u003C\u002Fspan>\u003Ci>\u003Cspan>slower than I thought\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan>) for cello, percussion, and slide projection 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